A Jungian Analysis of the Warrior Woman in Popular Culture and a Brief Look at What the Archetype Means Culturally and Psychologically

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A Jungian analysis of the warrior woman in popular culture and a brief look at what the archetype means culturally and psychologically.

The 1990s and the new millennium saw an influx of female action heroes on television from Xena to Scully, Buffy to Sidney Bristow. Countless girls and boys eagerly jumped to their television set each evening to absorb the warrior energy of their new role models. Adults, too, were intrigued by the possibility of a new gender role for women – fighters.

These women were not only stereotypically beautiful characters, but, untypically, they were also highly intellectual, courageous and strong – stronger indeed than the men portrayed alongside them, if not their equals. These fighting women usually depended on themselves for rescue and did not always wait around for their men.

Some women warriors had martial arts expertise (Xena, Buffy, Sidney, Nikita), some wielded weapons (Dana Scully from The X Files, Samantha Carter from Stargate SG1), while others used magic (Willow from Buffy the Vampire Slayer, the three sisters in Charmed), and then there was the cyborg (Seven of Nine from Voyager and Max from Dark Angel). All nevertheless embodied the warrior archetype: a fighting spirit evoking a new female consciousness, one that reflected a shift of values in Western society's gender norms.

C. G. Jung Research Online books, journals for academic research, plus bibliography tools. www.Questia.com/C._G._Jung
Jungian Philosophy
Analytical psychology poses the theory of archetypes or 'instinctual patterns' in the psyche, the 'warrior' being just one among a potentially unlimited human experiences. Carl Gustav Jung (1875-1961) noted that archetypes reside in the third layer of the psyche – the collective unconscious, the universal dimension of a human's mind, where mythological symbols common to all individuals derive.

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